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David Warner is an English actor who is known for playing both romantic leads and sinister or villainous characters, both in film and animation. Over the course of his long career he is most famous for his roles in films such as Tom Jones, A Midsummer Night's Dream, Cross of Iron, Madhouse on Castle Street, Morgan: A Suitable Case for Treatment, Little Malcolm, The Omen, The Island, Time Bandits, Tron, The Company of Wolves, Star Trek V: The Final Frontier, Star Trek VI: The Undiscovered Country, The Lost World, Titanic and Planet of the Apes.

Early life

Warner was born in Manchester, Lancashire, England, the son of Doreen (née Hattersley) and Herbert Simon Warner, who was a nursing home proprietor. He was born out of wedlock and frequently taken to be brought up by each of his parents, eventually settling with his Russian Jewish father and his stepmother. He was educated at Feldon School, Leamington Spa, Warwickshire and trained for the stage at the Royal Academy of Dramatic Art (RADA), London.

Career

Theatre

Warner made his professional stage debut at the Royal Court Theatre in January 1962, playing Snout, a minor role in Shakespeare's A Midsummer Night's Dream, directed by Tony Richardson for the English Stage Company. In March 1962 at the Belgrade Theatre, Coventry he played Conrad in Much Ado About Nothing, following which in June he appeared as Jim in Afore Night Come at the New Arts Theatre in London.

He joined the Royal Shakespeare Company in Stratford-upon-Avon in April 1963 to play Trinculo in The Tempest and Cinna the Poet in Julius Caesar, and in July was cast as Henry VI in the John Barton adaptation of Henry VI, Parts I, II and III, which comprised the first two plays from The Wars of the Roses trilogy. At the Aldwych Theatre, London, in January 1964, he again played Henry VI in the complete The Wars of the Roses history cycle (1964). Returning to Stratford in April he performed the title role in Richard II, Mouldy in Henry IV, Part 1 and Henry VI. At the Aldwych in October 1964, he was cast as Valentine Brose in the play Eh? by Henry Livings, a role he reprised in the 1968 film adaptation Work Is a Four-Letter Word.

He first played the title role in Hamlet at the Royal Shakespeare Theatre in the 1965 repertoire. This production was transferred to the Aldwych Theatre in December of that year. In the 1966 Stratford season, his Hamlet was revived and he also played Sir Andrew Aguecheek in Twelfth Night. Finally at the Aldwych in January 1970, he played Julian in Tiny Alice.

According to his 2007 programme CV, Warner's other work for the theatre has included The Great Exhibition at Hampstead Theatre (February 1972); I, Claudius at the Queen's Theatre (July 1972); A Feast of Snails at the Lyric Theatre (February 2002); Where There's a Will at the Theatre Royal, Bath; King Lear at Chichester Festival Theatre (in 2005, see details below); and also Major Barbara on Broadway.

Film and television

In 1963, he made his film debut as the villainous Blifil in Tom Jones, and in 1965, starred as Henry VI in the BBC television version of the RSC's The Wars of the Roses cycle of Shakespeare's history plays. Another early television role came when he starred alongside Bob Dylan in the 1963 play Madhouse on Castle Street. A major step in his career was the leading role in Morgan: A Suitable Case for Treatment (1966) opposite Vanessa Redgrave, which established his reputation for playing slightly off-the-wall characters. He also appeared as Konstantin Treplev in Sidney Lumet's 1968 adaptation of Anton Chekhov's The Sea Gull and starred alongside Jason Robards and Stella Stevens as Reverend Joshua Duncan Sloane in Sam Peckinpah's The Ballad of Cable Hogue.

In horror films he appeared in one of the stories of From Beyond the Grave, opposite Gregory Peck in The Omen (1976) as the ill-fated photojournalist Keith Jennings, and the 1979 thriller Nightwing. He also starred in cult classic Waxwork (1988), and featured alongside a young Viggo Mortensen in 1990 film Tripwire.

He has often played villains, in films such as The Thirty Nine Steps (1978), Time After Time (1979), Time Bandits (1981), Tron (1982), Hanna's War (1988), and television series such as Batman: The Animated Series playing Ra's al Ghul, the anti-mutant scientist Herbert Landon in Spider-Man: The Animated Series, as well as rogue agent Alpha in the animated Men in Black series and the Archmage in Disney's Gargoyles and finally The Lobe in Freakazoid. He was also cast against type as Henry Niles in Straw Dogs (1971) and as Bob Cratchit in the 1984 telefilm A Christmas Carol starring George C. Scott as Scrooge. In addition, he played German SS General Reinhard Heydrich both in the film Hitler's SS: Portrait in Evil, and the television miniseries Holocaust; as sinister millionaire recluse Amos Hackshaw in HBO's original 1991 film Cast A Deadly Spell, who plots to use the world's most powerful spell book – the Necronomicon – to unleash the Lovecraftian Old Ones from eternal imprisonment upon the Earth. Warner was considered for the role of Freddy Krueger in A Nightmare on Elm Street after producers were impressed with his performance as Jack the Ripper in Time After Time but had to turn it down due to scheduling conflicts.[citation needed]

In 1981, Warner received an Emmy Award for Outstanding Supporting Actor in a Miniseries or Special for Masada as Pomponius Falco. In 1988 he appeared in the Danny Huston film Mr. North.

He subsequently appeared in movies such as Star Trek V: The Final Frontier (1989), Star Trek VI: The Undiscovered Country, Avatar, Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991), Titanic (the third time he has appeared in a film about RMS Titanic) and Scream 2. In 2001 he played Captain James Sawyer in two episodes of A&E's adaptation of CS Forester's Hornblower series. He appeared in three episodes of the second season of Twin Peaks (1991). He also continues to play classical roles. In "Chain of Command", a 6th-season episode of Star Trek: The Next Generation, he was a Cardassian interrogator. He based his portrayal on the evil "re-educator" from 1984. His less-spectacular roles included a double-role in the low-budget fantasy Quest of the Delta Knights (1993) which was eventually spoofed on Mystery Science Theater 3000. He also played Admiral Tolwyn in the movie version of Wing Commander.

Warner's sympathetic side had been evident in Sam Peckinpah's Cross of Iron (1977), where he portrayed Capt. Kiesel. Other "nice guy" roles include the charismatic "Aldous Gajic" in "Grail", a first season (1994) episode of Babylon 5 and "Chancellor Gorkon" in Star Trek VI: The Undiscovered Country (1991). In an episode of Lois & Clark he played Superman's deceased Kryptonian father Jor-El, who appeared to his son through holographic recordings. Warner has also played "ambiguous nice guys" such as vampire bat exterminator Philip Payne in 1979's Nightwing; and Dr. Richard Madden in 1994's Necronomicon: Book of the Dead. In Seven Servants he co-starred with Anthony Quinn in 1996.

He also appeared as mad scientist Dr. Alfred Necessiter in the film The Man with Two Brains in 1983 alongside Steve Martin and Kathleen Turner.

Voice work

Warner contributed "Sonnet 25" to the 2002 compilation album, When Love Speaks (EMI Classics), which consists of Shakespearean sonnets and play excerpts as interpreted by famous actors and musicians. He has performed in many audio plays, starring in the Doctor Who "Unbound" play Sympathy for the Devil (2003) as an alternative version of the Doctor, and in a series of plays based on ITV's Sapphire & Steel as Steel, both for Big Finish Productions. He reprised his incarnation of the Doctor in a sequel, Masters of War (2008). In 2007, he guest starred as Isaac Newton in the Doctor Who audio drama Circular Time. He also guest starred in the BBC Radio 4 science-fiction comedy Nebulous (2005) as Professor Nebulous' arch-enemy Dr. Joseph Klench. In all these productions, Warner has worked with writer and comedian Mark Gatiss of the League of Gentlemen, and plays a guest role in the League's 2005 feature film The League of Gentlemen's Apocalypse. He has also performed in radio plays for the distinguished American companies L.A. Theatre Works and The Hollywood Theater of the Ear. In 2005, Warner read a new adaptation of Oliver Twist for BBC Radio 2 (adapted by Neville Teller and directed by Neil Gardner). In 2008, he guest-starred as Mycroft Holmes in the Bernice Summerfield audio play The Adventure of the Diogenes Damsel. In 2009, he was the voice of Lord Azlok of the Viperox, an insectoid alien race in the animated Doctor Who serial "Dreamland".

He has also contributed voice acting to a number of computer games, most notably playing the villain Jon Irenicus in Baldur's Gate II: Shadows of Amn and Morpheus in Fallout.

Warner also did voice work on the short-lived FOX animated show Toonsylvania as Dr. Vic Frankenstein. On the Cartoon Network animated television series The Grim Adventures of Billy and Mandy, David provided the voice of Nergal, a demonic creature from the Earth's core. He voiced the character until 2003, when he was replaced by Martin Jarvis. He also voiced one of Batman's greater enemies, Ra's Al Ghul, in Batman: The Animated Series, Superman: The Animated Series, and an episode of Batman Beyond. He also voiced the Lobe in Freakazoid and Alpha in Men in Black: The Series.

Warner narrated the Disney's direct-to-video Pooh's Grand Adventure: The Search for Christopher Robin.

In March 2010, it was announced that Warner would be joining the cast of the Dark Shadows audio drama miniseries Kingdom of the Dead.

Career renaissance

In May 2005, at the Chichester Festival Theatre Warner made a return to Shakespeare, playing the title role in Steven Pimlott's production of King Lear. Tim Walker, reviewing the performance in the Sunday Telegraph, wrote: "Warner is physically the least imposing king I have ever seen, but his slight, gaunt body serves also to accentuate the vulnerability the part requires. So, too, does the fact that he is older by decades than most of the other members of the youthful cast."

On 30 October 2005, he appeared on stage at the Old Vic theatre in London in the one-night play Night Sky alongside Christopher Eccleston, Bruno Langley, Navin Chowdhry, Saffron Burrows and David Baddiel. In December 2006, he starred in Terry Pratchett's Hogfather on Sky1 as Lord Downey. And in August 2007, as an RSC Honorary Artist, he returned to Stratford for the first time in over 40 years to play Sir John Falstaff in the Courtyard Theatre revival of Henry IV, Part 1 and Henry IV, Part 2 which were part of the RSC Histories Cycle – making him the only British actor to have played Hamlet, Lear and Falstaff in major theatrical productions.[citation needed]

In February 2008, Warner was heard as the popular fictional character Hugo Rune in a new 13-part audio adaptation of Robert Rankin's The Brightonomicon released by Hokus Bloke Productions and BBC Audiobooks. He starred alongside some high profile names including cult science fiction actress and Superman star Sarah Douglas, Rupert Degas, Lord of the Rings actor Andy Serkis, Harry Potter villain Jason Isaacs, Mark Wing-Davey and Martin Jarvis (written by Elliott Stein & Neil Gardner, and produced/directed by Neil Gardner).

In October 2008, Warner played the role of Lord Mountbatten of Burma in the BBC Four television film In Love with Barbara, a biopic about the life of romantic novelist Barbara Cartland. He plays Povel Wallander, the father of Kurt Wallander, in BBC Four's Wallander.

Other work

In 2010, writer and actor Mark Gatiss interviewed Warner about his role in The Omen (1976) for his BBC documentary series A History of Horror.

Star Trek: The Next Generation

Star Trek: The Next Generation (often abbreviated to TNG) is an American science fiction television series created by Gene Roddenberry as part of the Star Trek franchise. Created about 21 years after the original Star Trek, and set in the 24th century about 80 years after the orginal series, the program features a new crew and a new starship Enterprise. It premiered the week of September 28, 1987 to 27 million viewers[1] with the two-hour pilot "Encounter at Farpoint". With 178 episodes spread over seven seasons, it ran longer than any other Star Trek series, ending with the finale "All Good Things..." the week of May 23, 1994.

The series was broadcast in first-run syndication, with dates and times varying among individual television stations. The show gained a considerable following during its run and, like its predecessor, remains popular in syndicated reruns. It was the first of several series (the others being Star Trek: Deep Space Nine, Star Trek: Voyager, and Star Trek: Enterprise) that kept new Star Trek episodes airing until 2005. Star Trek: The Next Generation won 18 Emmy Awards and, in its seventh season, became the first syndicated television show to be nominated for the Emmy for Best Dramatic Series. It was nominated for three Hugo Awards and won two. The first-season episode "The Big Goodbye" also won the Peabody Award for excellence in television programming. The series formed the basis of the seventh through to the tenth Star Trek films.

Production

After the box-office success of the Harve Bennett-produced Star Trek-based movies, Paramount decided to create a new Star Trek series in 1986. Roddenberry initially declined to be involved but came on board as creator after being unhappy with early conceptual work. The creation of Star Trek: The Next Generation was announced on October 10, 1986. The show was, unusually, broadcast in first-run syndication rather than running on a major network, with Paramount and the local stations splitting advertising time between them.[2]

Roddenberry hired a number of Star Trek veterans, including Bob Justman, D. C. Fontana, Eddie Milkis, and David Gerrold. Paramount executive Rick Berman was assigned to the show at Roddenberry's request.[3] The Next Generation was shot on 35 mm film[4], and was one of the first television shows with sound recorded in Dolby Surround.[citation needed] The filming negatives were scanned in a straight-to-video device.[citation needed]

Season one

The first season was marked by a "revolving door" of writers, with Gerrold and Fontana quitting after disputes with Roddenberry.[5]

Mark Bourne of The DVD Journal wrote of season one: "A typical episode relied on trite plot points, clumsy allegories, dry and stilted dialogue, or characterization that was taking too long to feel relaxed and natural."[6] Other targets of criticism include poor special effects and plots being resolved by the deus ex machina of Wesley Crusher saving the ship.[7][8] However, Patrick Stewart's acting skills won praise and critics have noted that characters were given greater potential for development than those of the original series.[6][7]

While the events of most episodes of season one were self-contained, many developments important to the show as a whole occurred during the season. The recurring nemesis Q was introduced in the pilot, "Encounter at Farpoint", the alien Ferengi first appeared in "The Last Outpost", the capabilities of the holodeck were explored, and the history between Will Riker and Deanna Troi was investigated.

Later season-one episodes set the stage for serial plots. The episode "Datalore" introduced Data's evil twin brother Lore, who made several more appearances in later episodes. "Coming of Age" dealt with Wesley Crusher's efforts to get in to Starfleet Academy while also hinting at the threat to Starfleet later faced in "Conspiracy". "Heart of Glory" explored Worf's character, Klingon culture, and the uneasy truce between the Federation and the Klingon Empire, three themes that would play a major role in later episodes. Tasha Yar left the show in "Skin of Evil" becoming the first regular Star Trek character to die (permanently) in either series or film, and the season finale, "The Neutral Zone", established the presence of two of TNG's most enduring villains: the Romulans, making their first appearance since the Original Series, and, through foreshadowing, the Borg.

The series premiere became the first television show to be nominated for a Hugo Award since 1972. Six first-season episodes were each nominated for an Emmy Award; "11001001" won for Outstanding Sound Editing for a Series, "The Big Goodbye" won for Outstanding Costume Design for a Series, and "Conspiracy" won for Outstanding Achievement in Makeup for a Series.[9] "The Big Goodbye," also won a George Peabody award, the only episode of the entire Star Trek saga to be so honored.

Season two

The series underwent significant changes during its second season. Beverly Crusher was replaced as chief medical officer by Katherine Pulaski, played by Diana Muldaur, who had been a guest star in "Return to Tomorrow" and "Is There in Truth No Beauty?", two episodes from the original Star Trek. The show's recreational area, Ten-Forward, and its mysterious bartender/advisor, Guinan, played by Whoopi Goldberg, appeared for the first time. Owing to the 1988 Writers Guild of America strike, the number of episodes produced was cut from 26 to 22 and the start of the season was delayed. Because of the strike, the opening episode, "The Child", was based on a script originally written for Star Trek: Phase II, a previous attempt to create a new weekly Star Trek series, while the season finale, "Shades of Gray" was a clip show. Both episodes were critically panned (especially "Shades of Gray").

Nevertheless, season two as a whole was widely regarded as significantly better than season one. The plots became more sophisticated, and began to mix drama with comic relief. Its focus on character development received special praise.[10] Co-executive producer Maurice Hurley has stated that his primary goal for the season was to plan and execute season-long story arcs and character arcs.[11] Hurley wrote the acclaimed episode "Q Who?", which featured the first on-screen appearance of TNG's most popular villain, the Borg. Season two focused on developing the character Data, and two highly-regarded episodes from the season, "Elementary, Dear Data" and "The Measure of a Man" featured him prominently.[12] Miles O'Brien also became a more prominent character during the second season, while Geordi La Forge found a position as chief engineer. Klingon issues continued to be explored in well-regarded episodes such as "A Matter of Honor" and "The Emissary", which introduced Worf's former lover K'Ehleyr.[13] Five second-season episodes were nominated for six Emmys; "Q Who?" won for Outstanding Sound Editing for a Series and Outstanding Sound Mixing for a Drama Series.[9]

Season three

Prior to the production of the third season in the summer of 1989, some personnel changes were made. Head writer Maurice Hurley was let go and Michael Piller took over for the rest of the series. Creator and executive producer Gene Roddenberry took less of an active role due to his declining health. Roddenberry gave Piller and Berman the executive producer jobs, and they remained in that position for the rest of the series' run. Doctor Crusher came back to replace Doctor Pulaski, who was always noted as a guest star in the second season. Ronald D. Moore joined the show after submitting a spec script that became "The Bonding"; he became the franchise's "Klingon guru",[9] meaning that he wrote most TNG episodes dealing with the Klingon Empire (though he wrote some Romulan stories as well, such as "The Defector," midway through season three). Six third-season episodes were nominated for eight Emmys; "Yesterday's Enterprise" won for Outstanding Sound Editing for a Series and "Sins of the Father" won for Best Art Direction for a Series.[9]

Season four

Brannon Braga and Jeri Taylor joined the show in its fourth season. The fourth season surpassed the Original Series in terms of season length with the production of "The Best of Both Worlds, Part II." The season finale, "Redemption", was the 100th episode, and the cast and crew (including creator Gene Roddenberry) celebrated the historic milestone on the bridge set. Footage of this was seen in the Star Trek 25th anniversary special, hosted by William Shatner and Leonard Nimoy, which aired later in the year. Seven fourth-season episodes were nominated for eight Emmys; "The Best of Both Worlds, Part II" won for both Outstanding Sound Editing in a Series and Outstanding Sound Mixing for a Series.[9]

Season five

The fifth season's "Unification" opened with a dedication to Star Trek creator Gene Roddenberry (even though the prior episode, "The Game," aired four days after his death). Roddenberry, though he had recently passed away, continued to be credited as "Executive Producer" for the rest of the season. The cast and crew learned of his death during the production of "Hero Worship," a later season five episode. Seven fifth-season episodes were nominated for eight Emmys; "Cost of Living" won for Outstanding Individual Achievement in Costume Design for a Series and Outstanding Individual Achievement in Makeup for a Series, and "A Matter of Time" and "Conundrum" tied for Outstanding Individual Achievement in Special Visual Effects. In addition, "The Inner Light" became the first television episode since the 1968 original series Star Trek episode "The City on the Edge of Forever" to win a Hugo Award for Best Dramatic Presentation.[9]

Season six

The sixth season brought aboard a new set of changes. Now the writing staff was split between the newly-created Star Trek: Deep Space Nine and The Next Generation, with many writing for both series. Three sixth-season episodes were nominated for Emmys; "Time's Arrow, Part II" won for both Outstanding Individual Achievement in Costume Design for a Series and Outstanding Individual Achievement in Hairstyling for a Series and "A Fistful of Datas" won for Outstanding Individual Achievement in Sound Mixing for a Drama Series.[9]

Season seven

The seventh season was The Next Generation's last. The finale, "All Good Things...", was a double-length episode (separated into two parts for reruns) aired the week of May 19, 1994, revisiting the events of the pilot and providing a bookend to the series. Toronto's SkyDome, which was renamed 'Rogers Centre' in 2005, played host to a massive CITY-TV-sponsored event for the series finale. Thousands of people packed the stadium to watch the final episode on the stadium's Jumbotron. Five seventh-season episodes were nominated for nine Emmys, and the series as a whole was the first syndicated television series nomination for Outstanding Drama Series. To this day, The Next Generation is the only syndicated drama to be nominated in this category. "All Good Things..." won for Outstanding Individual Achievement in Special Visual Effects and "Genesis" won for Outstanding Individual Achievement in Sound Mixing for a Drama Series. "All Good Things..." also won the second of the series' two Hugo Awards.[9]

Cast

The cast underwent several changes through the series' run. Denise Crosby chose to leave the show shortly before the first season ended.[9] Michael Dorn's Worf replaced Tasha Yar as security chief and tactical officer. Crosby returned to portray Yar in alternate timelines in "Yesterday's Enterprise" and "All Good Things...". Crosby also played Yar's half-Romulan daughter, Sela.

Gates McFadden, as Beverly Crusher, was replaced after the first season by Katherine Pulaski, played by Diana Muldaur, during the second season. Muldaur never received billing in the opening credits, and instead was listed as a special guest star in the credits shown during the first act. Pulaski proved unpopular with viewers and was dropped at the end of the second season; McFadden returned for seasons 3–7 and reprised her role as Crusher.

Wesley Crusher was also written out of the show. According to actor Wil Wheaton's website, he wanted to leave the show because he was frustrated by having to fit other roles around his Trek schedule despite his character's decreasing role in the series.[14] Wesley Crusher reappears in several later episodes.

Notable guest appearances

Plot

The episodes follow the adventures of the crew of the Galaxy-class USS Enterprise NCC-1701-D.[9] As the United Federation of Planets flagship, the Enterprise is designed for both exploration and diplomacy but is also formidable in combat situations if necessary.

Patrick Stewart's voiceover during each episode's opening credits was patterned after that of the original series, but the phrase "continuing mission" replaces Star Trek's "five year mission", and the gender-neutral phrase "no one" replaces "no man":[18]

"Space: the final frontier. These are the voyages of the starship Enterprise. Its continuing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before."

The Enterprise's crew contact and discover many races and species with whom they interact as a means of exploring the human condition.[9] Dramatic devices such as time travel or temporal loops, natural disasters, holodeck malfunctions, and other internal and external conflicts often occur without alien encounters, though these, too, are used to explore issues of humanity.[9]

Entertainment Weekly's best episodes

To celebrate the series' 20th anniversary, Entertainment Weekly chose its "Top 10 Episodes":

1. "Yesterday's Enterprise" [19]
2. "The Best of Both Worlds", Parts I and II [20]
3. "The Inner Light" [21]
4. "Tapestry" [22]
5. "All Good Things..." [23]
6. "The Measure of a Man" [24]
7. "Sins of the Father"
8. "First Contact"
9. "The First Duty"
10. "Chain of Command", Parts I and II.

Connections with other Star Trek incarnations

The show's theme combines the fanfare from the original series theme by Alexander Courage with Jerry Goldsmith's theme for Star Trek: The Motion Picture.

The Next Generation has other similarities to Star Trek: The Motion Picture, itself spun from the plans for Star Trek: Phase II.[9] The movie's Willard Decker and Ilia bear similarities to The Next Generation's Will Riker and Deanna Troi. The series' second-season premiere was based on a Phase II script, as was the courtroom drama "Devil's Due"

Some sets used in the Original Series-era films were redressed for The Next Generation, and in turn used for subsequent Original Series films. Part of the transporter room set in The Next Generation was used in the original Star Trek's transporter set.

Variants of Enterprise's LCARS computer interface appear in the Deep Space Nine and Voyager spinoffs and the Next Generation-era films. The series also established the five-number stardate, with the second digit corresponding to the season; Deep Space Nine's opening stardate of 46379 aligns with The Next Generation's sixth season, and Voyager's 48315 places it in what would have been The Next Generation's eighth season.

Characters and races

Three original Star Trek main actors appear as their original series characters in The Next Generation: DeForest Kelley as Leonard McCoy in "Encounter at Farpoint", Leonard Nimoy as Spock in both halves of "Unification", and James Doohan as Montgomery Scott in "Relics".[9] Mark Lenard played Sarek for both "Sarek" and "Unification, Part I", and Majel Barrett reprised her role of voicing the Enterprise's computer, as well as playing Deanna's mother, Lwaxana Troi.[9] A script that reportedly featured the character of Harry Mudd, a recurring criminal in Star Trek, was cancelled when Roger C. Carmel died.[citation needed] The Romulans reprise their antagonistic role in The Next Generation, although the Klingons reappear as Federation allies.[9]

The Next Generation introduces two characters who would later have lead roles in Deep Space Nine: Miles O'Brien (played by Colm Meaney) and Worf.[31] The character who eventually became Kira Nerys was initially intended to be a reprisal of Michelle Forbes' Next Generation character, Ro Laren.[31] Additional Next Generation characters who appear in Deep Space Nine include Q, the Duras sisters, Klingon Chancellor Gowron, Klingon Kurn (Worf's brother), Alexander Rozhenko (Worf's son), Keiko O'Brien (Miles' wife), Molly O'Brien (Miles' daughter), Lwaxana Troi, Thomas Riker, Vash and Gul Evek.[31]

Reginald Barclay, Deanna Troi, Q, William Riker and LaForge appear in Voyager.[30] Tom Paris, a main character in Voyager, was based on the Next Generation character Nicholas Locarno; Robert Duncan McNeill, who played Locarno, went on to play Paris.[30]

Deanna Troi and William Riker appear in the Enterprise finale "These Are the Voyages..."

The Ferengi, conceived but panned as The Next Generation's recurring antagonists,[9] appear in subsequent Star Trek spin-offs.[30] The Next Generation also introduces the Borg, Cardassian, Trill and Bajoran species, all of which, along with the Maquis resistance group, play a part in both Deep Space Nine and Voyager.[30]

Deep Space Nine's Julian Bashir, played by Alexander Siddig, appears in The Next Generation's "Birthright, Part I", and Armin Shimerman played Quark for "Firstborn".[9]

Actor crossovers

The following Next Generation cast members have appeared as various other characters in other Star Trek productions.

• Patrick Stewart (Picard) appeared in the first Deep Space Nine episode "Emissary, Part I".
• Jonathan Frakes (Riker) appeared in Deep Space Nine episode "Defiant" as Thomas Riker, the transporter accident-created twin brother of his main character (from TNG episode "Second Chances"). He also appeared in the Voyager episode "Death Wish" and in the Star Trek: Enterprise series finale "These Are the Voyages...".
• Marina Sirtis (Troi) reprised the role of Deanna Troi for several episodes of Star Trek: Voyager and appeared alongside Frakes in the Enterprise finale "These Are the Voyages...".
• Michael Dorn (Worf) appeared in Star Trek VI: The Undiscovered Country as his ancestor Klingon Colonel Worf and reprised his role as Worf in the latter seasons of Deep Space Nine.
• Brent Spiner (Data) appeared in three Star Trek: Enterprise episodes as Noonien Soong's ancestor, Arik Soong.
• Colm Meaney (O'Brien) reprised his role as Miles O'Brien on Deep Space Nine.
• Diana Muldaur (Pulaski) appeared in The Original Series episodes "Return to Tomorrow" as Lt. Commander Ann Mulhall, and "Is There in Truth No Beauty?" as Dr. Miranda Jones.
• Majel Barrett Roddenberry (Lwaxana Troi and the ship's computer) appeared in The Original Series as recurring character Nurse Christine Chapel, though she was originally cast as "Number One" in the pilot. She also was the voice for the Federation computers in every series.
• John de Lancie (Q) appeared in The Next Generation, Deep Space Nine, and Voyager.
• Dwight Schultz (Lt. Reginald Barclay), who appeared throughout The Next Generation (including in the film Star Trek: First Contact), became a recurring character on Voyager as Barclay becomes integral to the return of the ship to Federation space.
• LeVar Burton (LaForge) reprised his role as Geordi LaForge in the Voyager episode "Timeless"
• Jonathan Frakes and LeVar Burton (Riker & LaForge) have also directed episodes of Deep Space Nine and Voyager. Burton also directed episodes of Enterprise.

The following actors from other Star Trek productions have appeared in guest spots on The Next Generation as other characters.

• Armin Shimerman (Quark of Deep Space Nine) appeared in "The Last Outpost" as the Ferengi Letek, "Haven" as the face of a Betazoid gift box, and "Peak Performance" as Ferengi DaiMon Bractor.
• Max Grodénchik (Rom of Deep Space Nine) appeared in "Captain's Holiday" as Ferengi Sovak, and "The Perfect Mate" as Ferengi Par Lenor.
• Ethan Phillips guest stars as the Ferengi Farek, and a holodeck character in Star Trek: First Contact. He later appears in Star Trek: Voyager as Neelix.
• Marc Alaimo (Dukat of Deep Space Nine) appeared in "Lonely Among Us" as Antican Badar N'D'D, in "The Neutral Zone" as the Romulan commander Tebok, in "The Wounded" as the Cardassian Gul Macet, and in "Time's Arrow" as the poker player Frederick La Rouque.
• Salome Jens (the Female Shapeshifter of Deep Space Nine) appeared in "The Chase" as an ancient humanoid.
• Robert Duncan McNeil (Tom Paris of Voyager) appeared in "The First Duty" as Nova Squadron leader Nicholas Locarno.
• Tim Russ (Tuvok of Voyager) appeared in "Starship Mine" as technician Devor, as the Klingon T'Kar in the Deep Space Nine episode "Invasive Procedures" and as a bridge officer in Star Trek: Generations.
• James Cromwell, who plays the prime minister in "The Hunted", also plays Dr. Zefram Cochrane in Star Trek: First Contact and the Star Trek: Enterprise episode "Broken Bow" as well as a reprise of the First Contact footage in the Enterprise episode "Through a Mirror, Darkly", Jaglom Shrek in TNG episodes "Birthright" parts 1 and 2, and Hanok in Star Trek: Deep Space Nine episode "Starship Down".

Legacy

Four films feature the series' characters:

• Star Trek Generations (1994)
• Star Trek: First Contact (1996)
• Star Trek: Insurrection (1998)
• Star Trek Nemesis (2002)

Three other Star Trek TV series succeeded The Next Generation:

• Star Trek: Deep Space Nine (1993-1999)
• Star Trek: Voyager (1995-2001)
• Star Trek: Enterprise (2001-2005)

The series has also inspired numerous novels, analytical books, websites, and works of fan fiction.

On October 7, 2006, one of the three original filming models of the USS Enterprise-D used on the show sold at a Christie's auction for USD $576,000, making it the highest-selling item at the event.[32]

References

1 Star Trek TNG: An Oral History Entertainment Weekly, 2007/09/24. Retrieved on 2007/09/25.

2 Alexander, David (1994). Star Trek Creator: The Authorized Biography of Gene Roddenberry. Roc. ISBN 0-451-45440-5.

3 "Star Trek Rick Berman Bio". http://www.startrek.com/startrek/view/series/ENT/creative/69089.html. Retrieved 2009-04-22.

4 "IMDB Technical Specifications for Star Trek: The Next Generation". http://www.imdb.com/title/tt0092455/technical. Retrieved 2008-02-12.

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6 a b "DVD Journal: Star Trek: The Next Generation: Season One". http://www.dvdjournal.com/quickreviews/s/st-tng.season01.q.shtml.

7 a b "DVD Verdict: Star Trek: The Next Generation, Season One". http://www.dvdverdict.com/reviews/startrektngseason1.php.

8 "Sci Fi Weekly: Star Trek: The Next Generation—Season One DVD". http://www.scifi.com/sfw/screen/sfw8324.html.

9 a b c d e f g h i j k l m n o p q r s t Nemeck, Larry (2003). Star Trek: The Next Generation Companion. Pocket Books. ISBN 0-7434-5798-6.

10 ""DVD Verdict: Star Trek: The Next Generation, Season Two". http://www.dvdverdict.com/reviews/startrektngseason2.php.

11"Star Trek: The Next Generation Season Two DVD Special Features.

12 "Sci Fi Weekly: Star Trek: The Next Generation—Season Two DVD". http://www.scifi.com/sfw/screen/sfw8559.html.

13 ""The DVD Journal: Star Trek: The Next Generation: Season Two". http://www.dvdjournal.com/quickreviews/s/st-tng.season02.q.shtml.

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16 Kelsey Grammer at the Internet Movie Database

17 http://en.wikipedia.org/wiki/Michelle_Phillips

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20 "'Star Trek: The Next Generation': The Top 10 Episodes". EW.com. http://www.ew.com/ew/article/0,,20057754_9,00.html. Retrieved 2008-06-17.

21 "'Star Trek: The Next Generation': The Top 10 Episodes". EW.com. http://www.ew.com/ew/article/0,,20057754_8,00.html. Retrieved 2008-06-17.

22 "'Star Trek: The Next Generation': The Top 10 Episodes". EW.com. http://www.ew.com/ew/article/0,,20057754_7,00.html. Retrieved 2008-06-17.

23 "'Star Trek: The Next Generation': The Top 10 Episodes". EW.com. http://www.ew.com/ew/article/0,,20057754_6,00.html. Retrieved 2008-06-17.

24 "'Star Trek: The Next Generation': The Top 10 Episodes". EW.com. http://www.ew.com/ew/article/0,,20057754_5,00.html. Retrieved 2008-06-17.

25 "'Star Trek: The Next Generation': The Top 10 Episodes". EW.com. http://www.ew.com/ew/article/0,,20057754_4,00.html. Retrieved 2008-06-17.

26 "'Star Trek: The Next Generation': The Top 10 Episodes". EW.com. http://www.ew.com/ew/article/0,,20057754_3,00.html. Retrieved 2008-06-17.

27 "'Star Trek: The Next Generation': The Top 10 Episodes". EW.com. http://www.ew.com/ew/article/0,,20057754_2,00.html. Retrieved 2008-06-17.

28 "'Star Trek: The Next Generation': The Top 10 Episodes". EW.com. http://www.ew.com/ew/article/0,,20057754,00.html. Retrieved 2008-06-17.

29 a b Okuda, Michael and Rick Sternbach (1991). Star Trek: The Next Generation Technical Manual. Pocket Books. ISBN 0-671-70427-3.

30 a b c d e f Okuda, Mike and Denise Okuda, with Debbie Mirek (1999). The Star Trek Encyclopedia. Pocket Books. ISBN 0-671-53609-5.

31 a b c Erdmann, Terry J.; Paula M. Block (2000-08-01). Deep Space Nine Companion. Pocket Books. ISBN 0671501062.

32 "'Star Trek' Model Fetches Over $500,000 (link inactive as of Nov 10th 2008)". ABC News. 2006-10-07. http://abcnews.go.com/US/wireStory?id=2541404&CMP=OTC-RSSFeeds0312. Retrieved 2007-05-10.